{"id":1116,"date":"2020-08-25T19:49:22","date_gmt":"2020-08-25T19:49:22","guid":{"rendered":"http:\/\/region12.herbzinser07.com\/dir\/science08\/?p=1116"},"modified":"2020-08-25T19:49:22","modified_gmt":"2020-08-25T19:49:22","slug":"goethe-gravity-grammar-world-grief-at-sandy-hook","status":"publish","type":"post","link":"http:\/\/region12.herbzinser07.com\/dir\/science08-ucsystem\/2020\/08\/25\/goethe-gravity-grammar-world-grief-at-sandy-hook\/","title":{"rendered":"Goethe Gravity grammar \u2026 World Grief at Sandy Hook"},"content":{"rendered":"

RD-blog-number-2656 by Herb Zinser<\/p>\n

<\/span>Goethe Gravity grammar \u2026<\/p>\n

World Grief at Sandy Hook<\/span><\/h2>\n

V[PDF]<\/span>Pietist Grief, Empfindsamkeit, and Werther – Project MUSE
\n<\/a><\/span>\u00a0<\/span>130.102.44.246\/journals\/goethe_yearbook\/v009\/9.kowalik.pdf
\nFile Format: PDF\/Adobe Acrobat –<\/span>\u00a0<\/a><\/span>Quick View
\n<\/a><\/span>by JA KOWALIK –<\/span>\u00a0<\/a><\/span>Cited by 4<\/a><\/span>\u00a0–<\/span>\u00a0<\/a><\/span>Related articles
\n<\/a><\/span>graphical links between\u00a0<\/span>Goethe<\/span>\u00a0and Werther, nor do I wish to com- ment on\u00a0<\/span>….<\/span>\u00a0century. His disquisition is divided into three\u00a0<\/span>parts<\/span>, the first address-\u00a0<\/span>…..<\/span>\u00a0<\/span>plays<\/span>\u00a0of emotion.30\u00a0<\/span>…..<\/span>\u00a0is a “Jammerthal,” and<\/p>\n

<\/span>worldly grief is “eine\u00a0<\/span>Ruthe<\/span>\u00a0und gerechte<\/span><\/p>\n

Goethe –> Goe –> \u00a0Gravity order entry \u00a0…… EARTH WORLD \u00a0grief \u00a0 \u00a0……VTAM Ruthe –> VTAM RU = Request Unit \u00a0 the = theory \u00a0of Earth computer systems.<\/span><\/p>\n

Let’s look at the Sandy Hook \u00a0elementary school shooting in the Isaac Newton gravity field \u00a0of Newtown, Connecticut …… an EARTH gravity WAR zone.<\/span><\/p>\n

That \u00a0is an \u00a0example of Goethe world grief. \u00a0Let’s try to explain that concept. \u00a0We start from the beginning.<\/span><\/p>\n

Gravity has an important influence upon life on EARTH. Gravity field interacts with human brain atomic mass. \u00a0 Thus, over thousands of years, Darwinian evolution of the gravity field and its interaction with brain mass thoughts has resulted in gravity field thoughts……hence, we now have gravity life forms. \u00a0 \u00a0Gravity messages are given to humanoids…who may amplify and enhance the messages …and write some work of literature that contains a subset of gravity messages.<\/span><\/p>\n

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Johann Wolfgang von G<\/span><\/h1>\n

From Wikipedia, the free encyclopedia<\/span><\/p>\n

Jump to:<\/span>\u00a0<\/a><\/span>navigation<\/a><\/span>,<\/span>\u00a0<\/a><\/span>search<\/a><\/span><\/p>\n

“Goethe” redirects here. For other uses, see<\/span>\u00a0<\/a><\/span>Goethe (disambiguation)<\/a><\/span>.<\/span><\/p>\n\n\n\n\n\n\n\n\n\n\n\n
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Johann Wolfgang von Goethe<\/span><\/p>\n<\/td>\n<\/tr>\n

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Born<\/span><\/p>\n<\/td>\n

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28 August 1749<\/span><\/p>\n

Free Imperial City of Frankfurt<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Holy Roman Empire<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

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Died<\/span><\/p>\n<\/td>\n

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22 March 1832 (aged 82)<\/span><\/p>\n

Weimar<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Grand Duchy of Saxe-Weimar-Eisenach<\/a><\/span>,<\/span>\u00a0<\/a><\/span>German Confederation<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

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Occupation<\/span><\/p>\n<\/td>\n

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Poet<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Novelist<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Playwright<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Natural Philosopher<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Diplomat<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Civil servant<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

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Nationality<\/span><\/p>\n<\/td>\n

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Turk<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

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Literary movement<\/span><\/p>\n<\/td>\n

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Sturm und Drang<\/a><\/span>;<\/span>\u00a0<\/a><\/span>Weimar Classicism<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

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Notable work(s)<\/span><\/p>\n<\/td>\n

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Faust<\/a><\/span>;<\/span>\u00a0<\/a><\/span>The Sorrows of Young Werther<\/a><\/span>;<\/span>\u00a0<\/a><\/span>Wilhelm Meister’s Apprenticeship<\/a><\/span>;<\/span>\u00a0<\/a><\/span>Elective Affinities<\/a><\/span>; “<\/span>Prometheus<\/a><\/span>“;<\/span>\u00a0<\/a><\/span>Zur Farbenlehre<\/a><\/span>;<\/span>\u00a0<\/a><\/span>Italienische Reise<\/a><\/span>;<\/span>\u00a0<\/a><\/span>West\u00f6stlicher Diwan<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n

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Spouse(s)<\/span><\/p>\n<\/td>\n

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Christiane Vulpius<\/a><\/span>\u00a0(1806\u20131816, her death)<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Johann Wolfgang von Goethe<\/span>\u00a0(German:<\/span>\u00a0<\/a><\/span>[\u02c8jo\u02d0han \u02c8v\u0254lf\u0261a\u014b f\u0254n \u02c8\u0261\u00f8\u02d0t\u0259]<\/a><\/span>\u00a0(<\/span>\"\"\u00a0<\/a><\/span>listen<\/a><\/span>), 28 August 1749 \u2013 22 March 1832) was a<\/span>\u00a0<\/a><\/span>German<\/a><\/span>\u00a0<\/a><\/span>writer<\/a><\/span>,<\/span>\u00a0<\/a><\/span>artist<\/a><\/span>, and<\/span>\u00a0<\/a><\/span>politician<\/a><\/span>. His body of work includes<\/span>\u00a0<\/a><\/span>epic<\/a><\/span>\u00a0and<\/span>\u00a0<\/a><\/span>lyric poetry<\/a><\/span>\u00a0written in a variety of<\/span>\u00a0<\/a><\/span>metres<\/a><\/span>\u00a0and styles;<\/span>\u00a0<\/a><\/span>prose<\/a><\/span>\u00a0and<\/span>\u00a0<\/a><\/span>verse<\/a><\/span>\u00a0<\/a><\/span>dramas<\/a><\/span>;<\/span>\u00a0<\/a><\/span>memoirs<\/a><\/span>; an<\/span>\u00a0<\/a><\/span>autobiography<\/a><\/span>;<\/span>\u00a0<\/a><\/span>literary<\/a><\/span>\u00a0and<\/span>\u00a0<\/a><\/span>aesthetic criticism<\/a><\/span>; treatises on<\/span>\u00a0<\/a><\/span>botany<\/a><\/span>,<\/span>\u00a0<\/a><\/span>anatomy<\/a><\/span>, and<\/span>\u00a0<\/a><\/span>colour<\/a><\/span>; and four<\/span>\u00a0<\/a><\/span>novels<\/a><\/span>. In addition, numerous literary and scientific fragments, and over 10,000 letters written by him are extant, as are nearly 3,000 drawings.<\/span><\/p>\n

\u00a0<\/span><\/p>\n

\u00a0During this period Goethe published his second novel,<\/span>\u00a0<\/a><\/span>Wilhelm Meister’s Apprenticeship<\/a><\/span>, the verse epic<\/span>\u00a0<\/a><\/span>Hermann and Dorothea<\/a><\/span>, and, in 1808, the first part of his most celebrated drama,<\/span>\u00a0<\/a><\/span>Faust<\/a><\/span>.<\/span><\/p>\n

Arthur Schopenhauer<\/a><\/span>\u00a0cited\u00a0<\/span>Wilhelm Meister’s Apprenticeship<\/span>\u00a0as one of the four greatest novels ever written<\/span>[<\/span>citation needed<\/a><\/span>]<\/span>\u00a0and<\/span><\/p>\n

\u00a0<\/span>Ralph Waldo Emerson<\/a><\/span>\u00a0selected G<\/span>oethe, along with<\/span>\u00a0<\/a><\/span>Plato<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Napoleon<\/a><\/span>, and<\/span>\u00a0<\/a><\/span>William Shakespeare<\/a><\/span>,<\/span><\/p>\n

\u00a0as\u00a0<\/span>one of six “representative men”<\/span><\/p>\n

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in his work of the same name. Goethe’s comments and observations form the basis of several biographical works, most notably<\/span>\u00a0<\/a><\/span>Johann Peter Eckermann’s<\/a><\/span>\u00a0<\/a><\/span>Conversations with Goethe<\/a><\/span>. There are frequent references to Goethe’s various sayings and maxims throughout the course of<\/span>\u00a0<\/a><\/span>Friedrich Nietzsche<\/a><\/span>‘s work and there are numerous allusions to Goethe in the novels of<\/span>\u00a0<\/a><\/span>Hermann Hesse<\/a><\/span>\u00a0and<\/span>\u00a0<\/a><\/span>Thomas Mann<\/a><\/span>. Goethe’s poems were set to music throughout the nineteenth century by a number of composers, including<\/span>\u00a0<\/a><\/span>Ludwig van Beethoven<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Franz Schubert<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Robert Schumann<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Johannes Brahms<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Hugo Wolf<\/a><\/span>, and<\/span>\u00a0<\/a><\/span>Gustav Mahler<\/a><\/span>.<\/span><\/p>\n

\u00a0<\/span>Ralph Waldo Emerson<\/a><\/span>\u00a0selected G<\/span>oethe, along with<\/span>\u00a0<\/a><\/span>Plato<\/a><\/span>,<\/span>\u00a0<\/a><\/span>Napoleon<\/a><\/span>, and<\/span>\u00a0<\/a><\/span>William Shakespeare<\/a><\/span>,<\/span><\/p>\n

\u00a0as\u00a0<\/span>one of six “representative men”<\/span><\/p>\n

Thus G –> bio-gravity \u00a0Goethe \u00a0… one of \u00a06 ……..one of 6.67 \u00a0with \u00a010 fingers and exponent \u00a0-SKU 11.<\/span><\/p>\n

Thus we see the gravity grammar \u00a0alpha\/numeric \u00a0–> SKU11 –> SKU 11 –> Nature’s warehouse of ideas … SKU 11 –> Stock Keeping UNit 11<\/span><\/p>\n

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What other gravity CLUES appear in Goethe –> G oe –> Gravity order entry bio-computer agent?<\/span><\/p>\n

Goethe’s\u00a0<\/span>Faust<\/span><\/h1>\n

Although rarely staged in its entirety, it is the play with the largest audience numbers on\u00a0<\/span>G – language stages.<\/span><\/p>\n

\u00a0<\/span>Faust<\/span>\u00a0is Goethe’s most famous work and considered by many to be one of the greatest works of<\/span><\/p>\n

G literature<\/a><\/span>.<\/span><\/p>\n

Johann Wolfgang von\u00a0<\/a><\/span>G<\/a><\/span>oethe<\/a><\/span>‘s\u00a0<\/span>Faust<\/span>\u00a0is a<\/span>\u00a0<\/a><\/span>tragic<\/a><\/span>\u00a0<\/a><\/span>play<\/a><\/span>\u00a0\u00a0<\/span>in two parts:<\/span><\/p>\n

Faust. Der Trag\u00f6die erster Teil<\/span>\u00a0(translated as:<\/span>\u00a0<\/a><\/span>Faust: The First Part of the Tragedy<\/a><\/span>) and<\/span><\/p>\n

Faust. Der Trag\u00f6die zweiter Teil<\/span>\u00a0(<\/span>Faust: The Second Part of the Tragedy<\/a><\/span>).<\/span><\/p>\n

\u00a0<\/span><\/p>\n

Goethe completed a preliminary version of\u00a0<\/span>Part One<\/span>\u00a0in 1806.<\/span><\/p>\n

The 1808 publication was followed by the revised 1828\u201329 edition, which was the last to be edited by Goethe himself. Prior to these appeared a partial printing in 1790 of\u00a0<\/span>Faust, a Fragment<\/span>.<\/span><\/p>\n

Goethe finished writing\u00a0<\/span>Faust Part Two<\/span>\u00a0in 1831.<\/span><\/p>\n

In contrast to\u00a0<\/span>Faust Part One<\/span>, the focus here is no longer on the<\/span>\u00a0<\/a><\/span>soul<\/a><\/span>\u00a0of Faust, which has been sold to the<\/span>\u00a0<\/a><\/span>devil<\/a><\/span>, but rather on social phenomena such as<\/span>\u00a0<\/a><\/span>psychology<\/a><\/span>,<\/span>\u00a0<\/a><\/span>history<\/a><\/span>\u00a0and<\/span>\u00a0<\/a><\/span>politics<\/a><\/span>, in addition to mystical and philosophical topics. The second part formed the principal occupation of Goethe’s last years. It appeared only<\/span>\u00a0<\/a><\/span>posthumously<\/a><\/span>\u00a0in 1832.<\/span><\/p>\n

The First Part of the Tragedy<\/span><\/h2>\n

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<\/p>\n

Faust I, first edition, 1808<\/span><\/p>\n

Main article:<\/span>\u00a0<\/a><\/span>Faust: The First Part of the Tragedy<\/a><\/span><\/p>\n

The principal characters of\u00a0<\/span>Faust Part One<\/span>\u00a0include:<\/span><\/p>\n